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You can view the lyrics, alternate interprations and sheet music for The Strokes's Reptilia at Lyrics.org.
Lyrics
He seemed impressed by the way you came in
“Tell us a story, I know you’re not boring”
I was afraid that you would not insist
“You sound so sleepy, just take this, now leave me”
I said, please don’t slow me down if I’m going too fast
You’re in a strange part of our town
Yeah, the night’s not over, you’re not trying hard enough
Our lives are changing lanes, you ran me off the road
The wait is over, I’m now taking over
You’re no longer laughing, I’m not drowning fast enough
Now every time that I look at myself
“I thought I told you, this world is not for you”
The room is on fire as she’s fixing her hair
“You sound so angry, just calm down, you found me”
I said please don’t slow me down if I’m going too fast
You’re in a strange part of our town
Yeah, the night’s not over, you’re not trying hard enough
Our lives are changing lanes, you ran me off the road
The wait is over, I’m now taking over
You’re no longer laughing, I’m not drowning fast enough
At first listen, The Strokes’ ‘Reptilia’ thrashes into the room with indomitable guitar riffs and unrelenting drums that mirror the early 2000s garage rock resurgence. Yet, beneath its vigorous exterior, the second single from their sophom*ore album ‘Room on Fire’ holds a labyrinth of emotions and social commentary that has compelled fans and critics alike to peel back the layers of its lyrics.
Released in 2003, ‘Reptilia’ barrels forward with Julian Casablancas’s seemingly apathetic drawl which, when dissected, reveals a tantalizing narrative ripe with introspection, estrangement, and a biting critique on authenticity. Join us as we plunge into the compelling depths of ‘Reptilia,’ unraveling the existential angst and poetic existentialism that define this era-defining track.
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A Sleepy Invocation and a Wake-Up Call
The opening lines of ‘Reptilia’ serve as a jarring juxtaposition; a sleepy arrival met with a demand for storytelling, a call to wake up from the lethargy of existence. ‘I was afraid that you would not insist’ lays bare the vulnerability and passive existence that the protagonist might feel trapped in, signaling the song’s undercurrent of resistance against complacency.
The plea ‘just take this, now leave me’ echoes the internal conflict and desire to both connect and remain isolated, a sentiment that quite possibly mirrors the band’s own relationship with fame and the consuming nature of the music industry.
Racing Through the Unfamiliar: Estrangement in Our Own Lanes
‘You’re in a strange part of our town’ suggests a disorientation or a drift into the unfamiliar, mirroring how personal growth or changes can thrust us into the unknown. This line acts as a metaphorical crossroads, representing life’s unpredictable journey and the confrontation with the unfamiliar that growth often demands.
‘Our lives are changing lanes’ further encapsulates the inevitability of change, and how it can sometimes lead to collisions—be they literal, within relationships, or within oneself. It’s a chaotic dance of evolution and the turbulent emotions that accompany it.
The Fire and the Fury: Decoding the Song’s Hidden Meaning
Dig deeper and ‘Reptilia’ seems to address the internal struggle and external pressures of maintaining one’s identity amidst the chaos. ‘The room is on fire as she’s fixing her hair’ can be interpreted as a metaphor for staying calm and composed, even when one’s world is burning. It illustrates the human capacity to ignore or stifle our internal alarms that signal when our environment—whether it’s a relationship or society at large—is in disarray.
Moreover, the repetitious assertion ‘I’m not drowning fast enough’ hints at a desire to succumb to these pressures, to stop fighting against the current of change or adversity that seems overwhelming. The struggle between surrender and survival hums at the core of this track, a symphony of disquiet and defiance.
‘This World Is Not for You’: Alienation in the Modern Age
The stark declaration ‘I thought I told you, this world is not for you’ resonates as a cruel reminder of alienation many feel in a society that demands conformity. It’s a sobering message that either sparks rebellion or cements the feeling of being an outcast—a theme that palpably echoes the Strokes’ own artistic ethos and resistance to the mainstream.
Interpretations vary, but one compelling read is that these words mirror the growing pains of youth, of feeling misunderstood and sidelined in a world that’s constantly evolving without one’s permission. It’s an anthem for the disenchanted, a telltale heart of the modern disillusioned.
Echoes of Memorable Lines: Lingering Long After the Music Fades
‘You’re no longer laughing, I’m not drowning fast enough’ becomes a haunting refrain that underscores the song’s sense of urgency and despair. Far from being a cry for help, it is a confrontational declaration of existence in the face of overwhelming odds.
The cyclical nature of these lyrics also lends to a sense of inevitability, that despite the turbulence, the struggles are relentless and the cycle continues. The Strokes don’t just craft songs; they craft experiences that ring in the ears long after the last note has decayed.
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